FILMSergei Loznitsa, 2004, 30’
“Masculine and feminine, hard and soft, continued and interrupted, whole and fragmented. All that is encompassed by just one day at the factory.
FILMSergei Loznitsa, 2015, 84’
“Perhaps Loznitsa’s most telling creative device is an enhanced sound design – by his long-time collaborator Vladimir Golovnitsky – that picks out threads of conversation in the crowd, and shows how talk, both among people, and on the radio, provided a sort of bush telegraph by which the populati