Microcosmos is a non-narrative experimental documentary film that chronologically records 100 collages Makino made in 2021.
Arnaud is looking for his place in society. Soy Libre shows his insatiable desire for freedom on a nearly ten year long quest, which brings him from Northern France to Spain to Peru.
Italy, 1961. While in the prosperous north of the country Europe’s tallest building is being erected, a group of adventurers in untouched Calabria is plunging into the depths.
The Shadow Workers is a fable-documentary in which the upside-down-pigeon named Lukaku tells us the story about Usman and the Dutch Good-for-nothing. Usman works in a night shop and can only sleep during the day when the Good-for-nothing works in a honey shop.
Vienna’s Jewish Währinger cemetery opened to the public in 1784, during an era of tolerance and prosperity that eventually coincided with the dawn of photography.
18 years after Kurt Kren produced his third film 3/60 Bäume im Herbst [3/60 Trees in Autumn], he shot his masterpiece 37/78 Tree Again.
Starting to work part-time at a cafe after quitting her job as a curator at an art museum, Sachi moves into an apartment recommended by a regular at the cafe. The whole renewal of her job and address is an attempt to overcome the suicide of her partner, Yuki, when they were living together.
Three men are working on a construction site. The work has been interrupted by five months of imprisonment. The rain suddenly falls like the silence that precedes an eviction.
After his wife’s unexpected death, Yusuke Kafuku, a renowned stage actor and director, receives an offer to direct a production of Uncle Vanya in Hiroshima. There, he begins to face the haunting mysteries his wife left behind.
Where does one feel at home? In Stadtallendorf, a German city with a complex history of both excluding and integrating foreigners, genial teacher Dieter Bachmann offers his pupils the key to at least feeling as if they are at home.
In the war zones of Mosul and Raqqa, then in Paris during the Yellow Vests uprising, filmmaker Florent Marcie confronts Sota, an AI robot, with the tragedy of mankind.
Made during the lockdown, The Mirror Egg consists of 16mm multiple exposures that started from a miniature sitcom-like film set in the artist's studio and taking daily walks with his camera.
Leïla and Damien are deeply in love. Despite his bipolarity, he tries to pursue his life with her, knowing that he may never be able to offer her what she desires.
« Vous êtes trop gris, j’ai besoin de couleurs ».
A celebrity journalist, juggling her busy career and personal life, has her life over-turned by a freak car accident.
“Reality becomes fiction, the real, a parallel world.”
A young man travels from South Korea to Berlin to surprise his girlfriend.
Juste un Mouvement is a free take on La chinoise, a Jean-Luc Godard movie shot in 1967 in Paris. Reallocating its roles and characters fifty years later in Dakar, and updating its plot, this new version offers a meditation on the relationship between politics, justice and memory.
Sangok has recently moved in with her sister to get used to Korea again after a long stay in the USA. She lives from day to day, in the present moment, when she meets a filmmaker who offers her a project.
A British botanist from Scotland travels to Bogotá where she becomes transfixed by a strange and haunting noise. Trying to trace its origins, she finds her connection to her surroundings slowly unraveling instead.
Faced with the cancellation of their normal plans due to the covid pandemic, filmmakers Maureen Fazendeiro and Miguel Gomes decide to go into lockdown with some longtime friends and collaborators instead to make a film in a more isolated place.
Los Angeles, today. Henry (Adam Driver) is a stand-up comedian with a fierce sense of humor who falls in love with Ann (Marion Cotillard), a world-renowned opera singer. Under the spotlight, they form a passionate and glamorous couple.
Caught in a dance, bees tell each other stories about the world around them. People equally claim their role in those stories, sometimes very close and intimate, sometimes distant and on an industrial scale.