Films byTexts by Bi Gan
Kaili Blues
Bi Gan, 2015, 113’

“Recent Chinese independent fiction cinema has often borne the traces of a social burden, one that is processed via its commitment to a kind of ‘social realism.’ Chinese artists for millennia have assumed the role of socially engaged actors, moral commentators, or guardians of certain autonomous

Long Day’s Journey Into Night
Bi Gan, 2018, 110’

“If Bi’s cinema has been clear about anything so far, it’s that he is completely unburdened by narrative cohesion. And why would he be? For one, Bi came to filmmaking from poetry, which he’s written a book of, and which he credits as the primary foundation for Kaili Blues.