FILM
Jean-Luc Godard, Jean-Pierre Gorin, 1972, 95’
“Such, in its strange, timeless beauty, is the declaration of Godard’s film. ‘Everything’s all right’ is a statement whose creative force can be gauged by the fact that, in real life, it seems clear that everything is going to hell in a handbasket.
FILM
Jean-Luc Godard, Jean-Pierre Gorin, Anne-Marie Miéville, 1976, 53’
In 1970, Godard and Miéville went to Jordan to shoot footage of Palestinian militants for what was supposed to become a pro-palestinian film for the Palestine Liberation Organization.
FILM
Jean-Pierre Gorin, 1992, 95’
“These gangsters, Jerry. Do they hold as much mystery for you as they do for me?”1