Films byTexts by Harun Farocki
Harun Farocki, 1989, 75’

This essay film revolves around various forms of representation, ranging from 19th-century perspective to computer simulations of landscapes and the film’s actual heart: a misleadingly simple archival image that later reveals a staggering blind spot.

Harun Farocki, 2012-2014, 43’

“In cinema, there is the wind that blows and the wind blown by a wind machine. In computer images, there is only one kind of wind: a new constructivism.”