Two sisters, portrayed by Farocki’s twin daughters Anna and Lara, play through their visual impressions at bedtime before falling asleep: “I’ve seen a man who had claws on his feet and could climb up the trunk of a tree with them.” Or: “Have you ever seen a car that grew out of a wall?” And t
Two sisters, portrayed by Farocki’s twin daughters Anna and Lara, play through their visual impressions at bedtime before falling asleep: “I’ve seen a man who had claws on his feet and could climb up the trunk of a tree with them.” Or: “Have you ever seen a car that grew out of a wall?” A
Broadway actress Myrtle Gordon (Gena Rowlands) rehearses for her latest play about a woman unable to admit that she is aging. When she witnesses the accidental death of an adoring young fan, she begins to confront the personal and professional turmoil she faces in her own life.
Set in the Watts area of Los Angeles, a slaughterhouse worker must suspend his emotions to continue working at a job he finds repugnant, and then he finds he has little sensitivity for the family he works so hard to support.
Charles, Michel and a few of their friends form a small environmentalist group, concerned about famine, pollution and the future of the world.
“The theme of the film is the escape route of the German emigrés in France in 1940/41. It describes a research of the past against the background of landscapes and towns which once were scenes of persecution. The leitmotif of the journey is Anna Seghers’ novel Transit.
“Jost’s outsider is Frank Goya, a guy with a red shirt, a far-fucking-out-in-the-morning-man delivery, and a fist full of Polaroid snapshots. Ever-cool Goya peers into the camera, announces that he’s a motel-haunting divorce-dick and from then on Angel City is kabuki Raymond Chandler.
“To begin with, I imagined the story set in a children’s school, not of teens. I thought that it could be interesting that the school was for very young girls, eight, ten years old. This was the first version.
“The Hunters reflects how a man of my generation sees Greek history, a history whose continuation blends with the years of my own life. It is a study of the historical conscience of the Greek bourgeoisie. In Greece, the ruling class is afraid of history and, for this reason, hides it.
News from Home consists of long takes of locations in New York City, set to Akerman’s voice-over as she reads letters her mother sent her between 1971 and 1973, when the director lived in the city.
Dear child,
