Commissioned by the Centre d’animation culturelle of Montbéliard, Armand Gatti observed the town of the Peugeot factories where France’s second largest workforce was concentrated and almost 10,000 immigrants of different origins.
In Mon coeur est rouge we spend two days in the life of a woman named Clara, played by Françoise Lebrun, who works for an advertising company. Sent away to conduct a poll on make-up, she ends up interviewing women from all walks of life.
In Nazi-occupied Paris, the immoral art dealer, Robert Klein, leads a life of luxury, until a copy of a Jewish newspaper brings him to the attention of the police, linking him with a mysterious doppelgänger.
« Si le juif n’existait pas, l’antisémite l’inventerait. »
Documentary made by the autodidact film maker, Renaud Victor, with autistic children from Deligny’s network in Cevennes, south of France.
Commissioned by the Centre d’animation culturelle of Montbéliard, Armand Gatti observed the town of the Peugeot factories where France’s second largest workforce was concentrated and almost 10,000 immigrants of different origins.
« À bord d’une bagnole qu’il faut descendre dans le Sud de la France, quatre types se retrouvent coincés ensemble. Tandis que les deux premiers sont propres sur eux et voudraient bien « y » arriver, les deux autres sont légèrement relous, un peu largués, sacrément gouailleurs.
“Nicolas Roeg’s The man who Fell to Earth presents an alien (David Bowie) whose knowledge and experience of our world is entirely mediated by television.
Two goddesses, a pair of beings from the sphere of the sun or the moon and who take the form of women, engage in a strange battle in the bars, hotels, and mystical power-spots of Paris. They fight over the possession of a magical diamond that will allow them to remain on earth.
“[Kimiavi] employed an authorial, surrealist, and avant-gardist style consisting of real people enacting either their own lives or fictionalized versions thereof; the seamless mixing of fantasy and documentary; ironic, humorous, contrastive, and critical juxtapositions of worlds, elements, and s
A short film in which a director's voice appears to be directing all the action on a busy London street.
“For me, this film reveals a new cinematographic language. As far as I know, a director has never committed, with such obstinacy, to the cinematographic representation of a region: that is to say, to the difficult communion between men, landscapes, and the seasons.
« En 1968. pour la frange la plus radicalisée – la plus gauchiste – des cinéastes, une chose est sûre : il faut apprendre à sortir de la salle de cinéma (de la cinéphilie, de l'obscurantisme) ou la brancher au moins sur quelque chose d'autre. Et pour apprendre, il faut aller à l'école.