Milestones: Sleep
Sat 28 Jan 2017, 23:00
Beursschouwburg, Brussels
PART OF Sabzian: Milestones

Sleep (Andy Warhol, 1964) - 285’ at 18 fps

For the past two years Sabzian has been a partner of Subbacultcha, contributing to the film pages of the magazine. At the occasion of their fifth birthday celebration, Sabzian was invited to organize a screening. But which film could we possibly screen with a party going on in another part of the building?

As an anti-film, Andy Warhol’s Sleep seemed like a counterpoint able to endure an atmosphere otherwise hostile to experiencing cinema: people coming and going, party-induced chatter or sounds coming from elsewhere in the building. Sleep will be screened on 16 mm film. The reels being changed throughout the night and the soothing murmur of the projector will make for an enthralling convergence with the blowout going on outside.

Come and join us!


“Andy Warhol is taking cinema back to its origins, to the days of Lumière, for a rejuvenation and a cleansing. In his work, he has abandoned all the ‘cinematic’ form and subject adornments that cinema had gathered around itself until now. He has focused his lens on the plainest images possible in the plainest manner possible. With his artist’s intuition as his only guide, he records, almost obsessively, man’s daily activities, the things he sees around him.

A strange thing occurs. The world becomes transposed, intensified, electrified. We see it sharper than before. Not in dramatic, rearranged contexts and meanings, not in the service of something else (even cinéma vérité did not escape this subjection of the objective reality to ideas) but as pure as it is in itself: eating as eating, sleeping as sleeping, haircut as haircut.”

Jonas Mekas1


“The first Andy Warhol movie I saw was Sleep. It was June 1964 at the Cinema Theatre on Western Avenue in Los Angeles, the birthplace of Midnight Movies. Sleep didn’t begin at midnight, it began around 6.45pm. It’s a long movie, as I recall, it ended around 12.30am. There were about five hundred people in the theatre when the film began; there were about ten left when the movie ended. I was one of them, although I didn’t watch the whole movie: after four hours or so, I slipped out for a snack at the coffee shop around the corner.”

Thom Andersen2

  • 1. Film Culture, Summer 1964. [Read more here in our article section]
  • 2. ‘The ’60s Without Compromise: Watching Warhol’s Films’, read the full text on Rouge. [Read more here in our article section]