“Suzuki Satsuo’s skilfully manipulated hand-held camera with a long lens is meticulous, at times sentimental, at times bold, focusing on his subject in a way that seems as though it were composing a melody with images. On the Road showed us a new, powerful type of image.
“[Our film] will have a personal style. Not orthodox or academic. Not a social document or a militant or revolutionary film or with a message or a solution. Not educational. The film is not commissioned by the unions or by the department of urbanization of the municipality of Valparaiso.