FILM
Individuals wait, silence is heard, a microscopic attention through a tired mass. If the film is almost mute, it is because it focuses on silent figures, although their struggle is deafening.
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FILM
Mieriën Coppens, Elie Maissin, 2021, 21’
Three men are working on a construction site. The work has been interrupted by five months of imprisonment. The rain suddenly falls like the silence that precedes an eviction.
FILM
Mieriën Coppens, Elie Maissin, 2022, 12’
A document made for the Pier Paolo Pasolini retrospective in CINEMATEK, Brussels.
FILM
Mieriën Coppens, 2018, 6’
Fake left.
Run right.
Pass.
There are no messages here.
So we may breathe.
Run.
Dribble.
Jump.
We are carefully playing the game
The body has always wanted a life of its own
Most days, you’ll find me here.
Mieriën Coppens