Dokyument rojo
On the Road: A Document
Noriaki Tsuchimoto,
1964,
54’
“Suzuki Satsuo’s skilfully manipulated hand-held camera with a long lens is meticulous, at times sentimental, at times bold, focusing on his subject in a way that seems as though it were composing a melody with images. On the Road showed us a new, powerful type of image. The images themselves, rather than any voice-over narration, speak to us directly, showing us a rich, fertile work.”
Shinomiya Tetsuo1