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NEWS
02.10.2024
NL FR EN

On October 9, Sabzian celebrates its tenth anniversary. To mark our anniversary, Un chant d’amour (1950) by Jean Genet will be available for 24 hours in our Screening Room on Wednesday, October 9 from 12h00 (CET).

Conversation
02.10.2024
FR EN

Rastko Novaković: After six decades of filmmaking, can you say what an image is, for you?

Alain Cavalier: Being able to take my camera out of its bag, when I’m struck by a human act, and having the chance to be well placed so that a cinematographic grace inhabits the shot.

Article
04.09.2024
EN

If you notice the people around you while watching a film, you will see that their behaviour is like that of ghosts, lifting up their heads to look at the moving images in front. The cinema itself is like a coffin with bodies, sitting still, as if under a spell. The moving images on the screen are camera records of events that have already taken place; they are remains of the past, strung together and called a film. In this hall of darkness, ghosts are watching ghosts. 

Five Artworks that Inspired Apichatpong Weerasethakul's Memoria (2021)

11.09.2024
A COLLECTION OF , 4 film pages
COMPILED BY Apichatpong Weerasethakul

On the occasion of his visit to Bozar in Brussels, Apichatpong Weerasethakul selects five artworks that revolve like satellites around his latest film Memoria (2021), films or other works of art that served as an inspiration or influence, thematically or in terms of form.

Article
11.09.2024
EN

This article is an extended version of a lecture held by Eric de Kuyper, co-writer of La captive (Chantal Akerman, 2000), at the cinema of the Deutsches Filmmuseum in Frankfurt on 1 November 2018, before the screening of the film. Eric de Kuyper: “Before I start, let me say this: No artist, no creator is able to analyse his or her own work. Of course, there are many artists who pretend to be able to evaluate their work. Don’t trust them. So, I will not be able – as a cowriter – to analyse La captive for you. What I can do is to tell you about … what happened in the kitchen.”

Deel 1

Article
25.09.2024
NL FR

Ze hield veel van een dialoog uit de film Muriel ou le temps d’un retour. Een vreemdeling in een nieuwbouwstad vraagt: “Pourriez-vous me dire, madame, où est le centre?” Zij antwoordt: “Mais vous y êtes, monsieur!” Is men er reeds of is men reeds elders? Komt men er ooit? Versnipperd zijn de centra, uit elkaar gerukt de koninkrijken en de steden.

04.09.2024
FR EN

I chance to rewatch L’ordre (Jean-Daniel Pollet, Malo Aguettant and Maurice Born, 1973). Of all the voices I hear in the film, that of Epaminondas Remoundakis (E.R.) still exudes an undiminished anger. The very singular timbre of this voice is like a razor slicing through an eyeball, its range and cadence suggesting the terrible violence inflicted upon all those who – like E.R. – were lepers.

Dahomey (Mati Diop, 2024) en Césarée (Marguerite Duras, 1979)

Article
18.09.2024
NL

Als kunstwerk stelt Dahomey ons de vraag: hoe kan cinema een verhaal vertellen over, een ruimte bieden voor of helpen met de alomtegenwoordige koloniale residuen in onze maatschappijen? Wat betekent het überhaupt om te verlangen, terug te denken aan een verloren plek, en uiteindelijk ook terug te gaan naar die grond waar het allemaal gebeurde?

The Cinema of Apichatpong Weerasethakul

04.09.2024
A COLLECTION OF 5 texts, 16 film pages, 2 news items
NL EN

Thai filmmaker Apichatpong Weerasethakul (1970) is known for, among other films, Tropical Malady (2004) and Uncle Boonmee Who Can Recall His Past Lives (2010), which shows, in Apichatpong’s words, “the relationship between man and animal and at the same time destroys the line dividing them”. His latest film, Memoria (2021), takes place in Columbia, where a deep historical context resonates, foreign to both the main character and the director himself. His films experiment with the dramatic plot structure of Thai television, radio programs, comics and films. He often uses improvised dialogues and non-professional actors, exploring the boundaries between documentary and fiction.

NEWS
04.09.2024
EN

Bozar has invited Thai filmmaker Apichatpong Weerasethakul to Brussels for a Close-up program, where he will present his first-ever performative VR project, showcase a selection of his films and film choices, and engage in a conversation about his work.

NEWS
02.09.2024
EN

French independent cinephile label Capricci is re-releasing sixteen films by Chantal Akerman in French cinemas, alongside the release of a Blu-ray box featuring Akerman's feature-length and short films – the most complete collection available worldwide to date.