Films byTexts by Rainer Werner Fassbinder
Article NL EN
26.04.2023

His films are irritating, off-putting, somewhat repulsive. Admirers of his work should not brush off this negative, backward contact between Fassbinder and his audience but rather depart from it. In this oeuvre, an aesthetic of irritation is essential.

Article NL EN
26.04.2023

Zijn films irriteren, stoten af, zijn een beetje weerzinwekkend. Bewonderaars van zijn werk moeten dit negatieve, averechtse contact tussen Fassbinder en zijn publiek niet wegpraten, maar er juist van vertrekken. In dit oeuvre is een esthetiek van de irritatie essentieel.

note EN
23.06.2021

Last week, Hungary’s parliament passed a bill for the supposed protection of minors against the “promotion of homosexuality”. Following these worrying reports of censorship, Sabzian would like to highlight some important films where homosexual or queer relationships take centre stage.

FILM
Rainer Werner Fassbinder, 1981, 119’

In 1938, a German singer falls in love with a Jewish composer in Zurich, who helps Jews flee Nazi Germany. She wants to help but is forced back to Germany. Her song "Lili Marleen" becomes a hit with soldiers and the Nazi top.

 

FILM
Rainer Werner Fassbinder, 1981, 115’

Germany in the autumn of 1957: Lola, a seductive cabaret singer–prostitute, exults in her power as a tempter of men, but she wants more – money, property, and love.

note EN
28.05.2020

The German film, television and theatre actress Irm Hermann has passed away.

FILM
Rainer Werner Fassbinder, 1975, 120’

Factory worker Küsters, faced with the threat of redundancy, kills his boss and commits suicide. His widow finds herself deserted by her family and friends, until a wealthy communist couple decide to make political capital from her plight.

 

FILM
Rainer Werner Fassbinder, 1973, 92’

Rainer Werner Fassbinder pays homage to his cinematic hero Douglas Sirk with this update of that filmmaker’s 1955 All That Heaven Allows. A lonely widow meets a much younger Arab worker in a bar during a rainstorm.

FILM
Rainer Werner Fassbinder, 1975, 123’

“Upon its release in Europe and the United States in 1975–76, Rainer Werner Fassbinder’s Fox and His Friends (Faustrecht der Freiheit, 1975) disappointed many European and American gay critics. In their reviews, these critics criticized the film from two dominant perspectives.

FILM
Rainer Werner Fassbinder, 1969, 88’

“Fassbinder’s second film, which became not only his first claim to fame and author status, but also gave him [...] valuable operating capital for years to come.

FILM
Rainer Werner Fassbinder, 1982, 108’

“This sense of unrootedness and disorientation may stem largely from an aesthetic dissonance between Fassbinder and Genet [whose novel Querelle de Brest was adapted by Fassbinder], both in terms of agenda and the times in which they were working.

FILM
Rainer Werner Fassbinder, 1974, 120’

“I find women more interesting. They don’t interest me just because they’re oppressed – it’s not that simple.

FILM
Rainer Werner Fassbinder, 1979, 111’

“It seems as if Fassbinder needed to purge his system after In einem Jahr mit 13 Monden (1978), a traumatised remake of Louis Malle’s Le feu follet (1963), chronicling a transsexual depressive’s last days, and inspired by the suicide of Fassbinder’s lover Armin Meier.